MY Art Style
The first thing worries me to draw any painting.. is the idea, which is like the foundations 1 build my painting with.
When I draw the painting, my wishes form this idea to be as a scene of a play or a part of a fact out our planet.
This makes my raising this idea (subject) away from the initiation and imitation. This idea either it is a common human problem, which often like that, or sufferance related to some people, as it is found in the painting (Proletariat and globalization) or (a woman waiting the rain) spinster.
The subject in my paintings, does not impose it self on the spontaneity, where during the drawing I am free to form and color with whatever suits my feelings and sensations, to reach at the end to the complete satisfaction.
I draw and inside me a satisfaction that the plastic artist must conduct with people in what they suffer and carry of wishes, repair and fear. So I
do not get down to the level of common people in their view to the art, but I pave to them an easy way to me and participate with me in this common sufferance.
I did not get away from my environment, but 1 ask for inspiration from it the ideas, colors and sufferance, then translate it so it can be understood
The Plastic Artist Mohammed Ali A l-shaihani
Globally, so the human in Kuwait is the same in the rest Arabic countries, also the international, feel with what 1 feel.
I side with the quiet colors such as violet, blue and beige. The subject has an important role to form the color spontaneously.
* Born in 1953.
* Member in the Kuwaiti Society for the Plastic Arts since 1974.
* Diploma form Education College for Teachers in 1978, 1 work now as a teacher for the artistic photography at Al‑Bayan Courses Secondary School.
* 1 represented Kuwait in outside galleries as Syria 1981, Kingdom of Saudi Arabia 1985, Russia 1987 and Cairo International Binaly 1994.
* 1 participated in all of the galleries of the Kuwaiti Society for the Plastic Arts in Kuwait also most of the outside galleries, the last one 'the gallery of will and challenge in Cairo, Tunis, and Damascus 1993. and china 1995. and Al‑Khafji Gallery 1999.
I gained the prize of precision 1998, and other many prizes.